In light of the comments that have come (in the own blog as other routes) following the recent entry on Bonisolli, I intend to recall or clarify the meaning of this series. The first note Corena (November 2008) was preceded by this explanation:
We will perform a playful look at through a group of singers who, having enjoyed the reputation for keeping your career or even now can only crumble when subjected to a serious review.
Apart from the qualities that have been discussed, it is always of singers who have developed the first online racing. Excluded, therefore, decidedly bad , to put it in some way. For it is clear Bonisolli that even if only for its excesses was not a lot singer. But there is nothing like her performing with great artists to realize that he was an outsider among them. Just take your recording of "La Traviata" under the direction of Gardelli: Bruscantini hearing singing "Di Provenza" or Freni in "Addio del passato" Bonisolli makes little more than an amateur with talent that could perhaps have sing like them, but actually was a very, very far from achieving that - most of which would take him seriously. Like the others called his name appears on the short list of those who have opera S. XX - in many cases with great merit in it for the record - but should not be omitted footnote recalling that never lived up to its reputation or not of the corresponding standards. "The worst" examines with humor and bad humor to this saga intruders who sang along with the elites that now seem foreign in this context.
Greetings to all readers. Open bar
Greetings to all readers. Open bar
opinions, m? Music and what happens to me, that this is my blog. 
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