In this section we will be announcing auditions of interest available in the midst of endless time - to see how long it takes mess - which is Spotify.
begin with a Bruckner worthy of great enthusiasm that I just blow, which is recording the young German director Marcus Bosch with Symphony Orchestra Aachen (currently, 3 rd, 4 th, 5 th, 7 th, 8 th and 9 th). Remember that training was conducted in Germanic times by Herbert von Karajan . In these records, optimally captured, shows sound binding, in a somber tone as a whole (the bass tones are strong and broad, as befits Bruckner), but special flair metals, magnificent. One can only lament a lack of presence of the violins in tutti . The biggest surprise, however, comes with Bosch, who shows an affinity for these symphonies cream. I am told that the Eighth is outstanding, the undersigned have heard the Seventh and there are only praise. First of all, to highlight the performance of the metals: a majestic section but always sings , which is the best of praise, since it assumes that there is continuity and fluency in speaking, singing line grows and decreases with narrative and dramatic sense and emphasize significant phrases. The beginning of the coda of the first time is beyond belief and the fundamental climax Adagio shows highly attuned to the voices overlap accumulating tension to the exact point when triggered. Again he stresses that would have been desirable with more biting violins during the tutti : hear this from minute 15:00 in front of the Allegro moderato or counterpoint of the great passages of Scherzo and Adagio. In general, however, all string sections with lyrical phrasing on (beginning of the first movement). Bosch is not analytical as director of the new use postmodern: it is not interested in dissecting the sound levels (for example, more conflict polyphonic passages of the Scherzo nitidÃsimos are not) and yes, and much to offer with the utmost important thing dramatic force. His times in this itself is a bruckneriano " modern", are relatively bright, which favors the respiration song.
begin with a Bruckner worthy of great enthusiasm that I just blow, which is recording the young German director Marcus Bosch with Symphony Orchestra Aachen (currently, 3 rd, 4 th, 5 th, 7 th, 8 th and 9 th). Remember that training was conducted in Germanic times by Herbert von Karajan . In these records, optimally captured, shows sound binding, in a somber tone as a whole (the bass tones are strong and broad, as befits Bruckner), but special flair metals, magnificent. One can only lament a lack of presence of the violins in tutti . The biggest surprise, however, comes with Bosch, who shows an affinity for these symphonies cream. I am told that the Eighth is outstanding, the undersigned have heard the Seventh and there are only praise. First of all, to highlight the performance of the metals: a majestic section but always sings , which is the best of praise, since it assumes that there is continuity and fluency in speaking, singing line grows and decreases with narrative and dramatic sense and emphasize significant phrases. The beginning of the coda of the first time is beyond belief and the fundamental climax Adagio shows highly attuned to the voices overlap accumulating tension to the exact point when triggered. Again he stresses that would have been desirable with more biting violins during the tutti : hear this from minute 15:00 in front of the Allegro moderato or counterpoint of the great passages of Scherzo and Adagio. In general, however, all string sections with lyrical phrasing on (beginning of the first movement). Bosch is not analytical as director of the new use postmodern: it is not interested in dissecting the sound levels (for example, more conflict polyphonic passages of the Scherzo nitidÃsimos are not) and yes, and much to offer with the utmost important thing dramatic force. His times in this itself is a bruckneriano " modern", are relatively bright, which favors the respiration song.
It Coviello seal recordings (available on iTunes, but it is known not distributed in Spain)
The best way to check is listening: Orchestra Aachen
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