Edmon Colomer, new owner of the orchestra, opened the show with the premiere of "The fragility of the balance," commissioned from composer score Nuria Núñez Jerez . Is a study of contrasts between cacophony and silence provisions in three sections of progressive complexity. As often happens in these cases, you do not even know how to value what is heard beyond the feelings of restlessness, usual expressive range of contemporary works.
The next work was the Concerto for piano of Schumann, which had the Argentinian pianist Nelson Goerner . Soon there's impulsive romanticism of the work and there to settle for a timid orchestra in tutti , with a timber that had more interest than the pale arch section, and a neat solo phrasing sensitive to the lyrical passages.
The second part included only the Symphony in D major Brahms . The recalled Interpreting the work ahead for Colombo with his orchestra, which only showed a broad and velvety sound in the few moments when the family of the strings played with intensity (ie the summation of and Finale spectacular coda) . The cellos did not seize the opportunity offered by the expressive wonderful Adagio. By contrast the translation of the sounds of chamber Allegretto just left nothing to be desired. It is not disputed the planning of interpretation, but it was a Brahms light and shallow, particularly neutral in the first half.
As a footnote, it is understood that for half an hour of music a little more hours pass in the theater due to excessive break and tardiness of the organization. Open bar
The second part included only the Symphony in D major Brahms . The recalled Interpreting the work ahead for Colombo with his orchestra, which only showed a broad and velvety sound in the few moments when the family of the strings played with intensity (ie the summation of and Finale spectacular coda) . The cellos did not seize the opportunity offered by the expressive wonderful Adagio. By contrast the translation of the sounds of chamber Allegretto just left nothing to be desired. It is not disputed the planning of interpretation, but it was a Brahms light and shallow, particularly neutral in the first half.
As a footnote, it is understood that for half an hour of music a little more hours pass in the theater due to excessive break and tardiness of the organization. Open bar
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