Despite all the hype of mass media , the luxurious relay began without sound for a good minute and a peak, which lost part of Duke's recitative. A Grigolo again save the good intentions, the will to do something different, but his tone was plaintive recitative said ad nauseam, one thing incomprehensible relying on the guidance of a director like Mehta. The voice continued to seem strange, at least, but some passages are seen deployed voice distinct possibility, in addition to the cantabile alternated with grace their unique voices mean. What does not seem to get is that kind of breathing, oblivious to good singing, a kind of recurrence of wheezing distefaniano erotic. The extension appears to be limited and it costs you play the Bb cleanly. In squillo or amplitude or speech. In "Possente love" sang without extravagance and the result was positive. Miss Novikova again demonstrated piano that can sing , but still in the air that can sing forte . At the end of the second verse of "Tutte le feste" was weak vocally, and without character. You have to say for the poor girl stoically endured the flood of sweat and saliva jumped on him Sunday during the Via Crucis has happened in the second act. One wonders what won and what Satisfaction has been able to draw this man of such calamity. While he could recite the median (scene with the courtiers) the thing went into the dignity, very determined to put him in baritone voice by esophageal issue. invective came and farce simply collapsed. "Rigoletto" is not seeing an older man, for it is famous, having a bad time, bottomless, expelling unclassifiable sounds and musical , dreadful, disjointed, even remotely similar to a ridge line. If "Piangi, fanciulla" helped him recover a little in the cabaletta virtually no voice could be called singing, throat-clearing included. However, courageous and bold as any singer in history, the sun dared acute "Cortigiani" and the lab's "Sì, Vendetta." After I heard, were even offensive. Open bar
0 comments:
Post a Comment