Sunday, October 31, 2010

Simmi Garewalmera Naam Joker

romantic difficulties of playing the romantic

Fourth concert of the season of the Philharmonic Orchestra of Málaga.

amaze not continue to pose problems for orchestras some scores that involve integrated into the basic repertoire, such as Dvořák Cello Concerto . Yet in none of the tutti the first time one could say that the orchestra offered a sound properly constructed, which requires that the string sections having much more presence and bite to this main body sustain metals. The result was that the exposure of the first plea lacked the necessary sense of growth and that the interventions of the trumpet (not lucky) sounded detached the orchestra, almost like a cacophony isolation. Diemecke handled better small instrumental passages, but the wood always tended to play forte: as a result, certain details which are intended only to eventually hide a color free environment which also lacked direction. As the soloist, Vassilieva proved able to play all the notes, but in some cases too weak tone. Lacked the vibrant and heroic sound of the first half and generally perceived ease with which even smaller sections of the orchestra gulped. One interpretation that could only be highlight the more lyrical moments (Adagio ). The orchestra was improving over Finale.

Improvement
which culminated in the second half, with a new Bruckner more solvent (such as Seventh of last June). Without being no wonder, the strings played with more intensity and was very expressive passages, like the violins in the recapitulation the first time or the cello in the slow time. The tutti rang with the power that is assumed in metals brucknerianos but without giving the impression of fanfare that was seen in the first part: for example in initial exposure or the titanic coda that concludes the work. Woods showed more varied dynamics and passed the difficult test tubes representing the Symphony. Diemecke chose tempi but enriched with an extensive personal use of rubato , sometimes a little exhibitionist ( Finale), but was grateful to escape the routine. The Scherzo vibrant, page views according to some cuts grateful that he practiced in the past. An interpretation that above all gave the impression of having been planned in earnest toward its stunning conclusion.

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